Ancient egypt Reminescence

I was 16 the first time I stepped in Karnak temple. Between those huge columns I felt At home. I was just a tourist but That feeling was so deep. Then life brought me in many places and i Made many different choices And many years later i was again there part of the Luxor Art Symposium , with the Luxor art academy And many Artists from All around the world. So lucky to be part of this magnificent event. I could discover with more attention All the ancient egypt thought paintings history with special thanks to the professors of the art Academy. As artist I felt I had to study hyeroglyphos. I had to do That because those drawings in front of my eyes had kind of power of something going on inside. And there is so much going on inside... Because of this I suggest to All Artists to step in Luxor And study All they Can because there is so much to discover and learn..

Synphonia per una notte d'estate

Nella pittura e nella musica esiste per quanto mi riguarda un forte legame. Specialmente quando mi distacco dalla figura e inizio l'approdo all'astrazione il suono diventa una linea guida. Come pure può succedere anzi come e' già successo che ho dipinto tante opere ispirate dalla musica. Tuttavia qui il percorso e' all'opposto. E' il dipinto che diventa musica. Dunque guardate questa immagine ispirata dalle sensazioni di freschezza e vitalità del mio giardino e provate ad ascoltare la sua sinfonia di suoni

Synphony for a summer night

Freedom and breath

I like creativity and colors, drawing and shapes. But most of all when I appreciate art, what I like the most,  are the degree of freedom and space for breath, if it gives air to the entire environment then is a very good work. . This kind of freedom is a reflection of the personality and maturity of the artist himself. You know Gauguin? His works are truly open windowes.. So here I am sharing my degree of freedom with my those little cacti

Synphony for a Rose

Of course I am into flowers. I am delighted by them. Their shape and their colors.. I tried many times before to paint flowers but I always felt nature is always better. More details or less it was always this feeling. Then I decided that a picture of flowers can do much better and I stopped to try painting flowers for years. Until few months ago when I started with my beloved phalenopsis. Very soon I tried a little jump into abstract as too many details made me feel constrain without enough breath and space. So I started to painting the feeling of flowers and How I deeply feel them. This is why I would call them neoimpressionist flowers and more than this I like to paint the air and light and sun that surrounds them. Yesterday I decided to paint my first synphony for a rose, her silent movements and little waving by the wind.

Phalenopsis synphony1

About this painting I Can say it Is a big centered stone For me. Actually it Is a watercolour, I am happy I could find the strenght of colour And impetuosity. I love those colors and their freshness. It is like a jump into the jungle in early morning with sun shining. As you you know I can paint proper figurative art, and I like it, but I always miss that quid of mystery and change that real life has. Into my abstract-figurative expressionist postpop phalenopsis I can totally and freely swimm into the beauty and mystery of nature. Don't you? Let me know your thoughts about

Art & personality

I believe art, true art Is an artist´ Mirror. So every time I paint, right after I think about what happened. I love painting figurative but suddenly I am getting involved into a more open idea of figurative, the one that keeps inside more air, more time and more possibilities to change and more than this the feeling of the subject painted. Here there are my Phalenopsis Orchids